PRESERVING STORIES | one year ago today I took pictures in our messy home with a mouse hole

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PRESERVING STORIES | one year ago today I took pictures in our messy home with a mouse hole

ONE YEAR AGO today, I pulled out my camera and tripod to take a few pictures of the space we called home before starting our journey to leave it. I left it completely untouched (that's the delicate way to say MESSAY) from the day/week/however long since we had last tidied it up, let Jason stay in his gym clothes (including a tee shirt with a distracting LOGO on it; typically a crime for pictures), okay but I will admit that I did double check that my makeup looked nice. You're going to see lots of dirty laundry and the tin foil we shoved into a hole under the kitchen counter to plug up a mouse hole.

These were just for my sake, not for sharing. The pictures are... not exactly a reflection of my style as a portrait photographer. I thought this would bother me and that I would never share them because of it. Finally looking through these pictures a year later, I never expected to have such an emotional reaction to these seemingly mundane photographs and I want to share exactly why.

We were unknowingly on the tip of, what I consider, the most stressful month we've ever handled together. We ate our meals and did our work in one corner of our bedroom, a spot where the bathroom door and bed are both within arms reach, because only that room had an AC unit. Jason was on a major time crunch to finish his grad school project... in order to graduate... in order for us to leave.. in order for him to start his full time job.

There were so many hard goodbyes to say and so many "I need to see you one last time!" when we knew perfectly well that it wasn't going to happen because we were just too busy, on top of juggling family coming to town for graduation. I sold off our furniture piece by piece and tossed/donated so many of the little things that I only remember now because of these pictures.

Our apartment manager turned very manipulative and dishonest, bringing on extreme stress for myself and hopeful tenants. I had to make so many phone calls and stand up for myself and I haaaaaate confrontation. The lowest point was the day I got in contact with the landlord himself to discuss the manager's deceit.... only to find out that it was his dad.

I was also dealing with some photography clients that were deeply unhappy with me. I don't want to get into any specifics, but as any photographer knows, it absolutely shakes your confidence when this happens. Around this time, I bought my first bottle of fish oil supplements because my hair literally started falling out.

Jason graduated on a Friday afternoon and that same night we packed the little blue car like a jigsaw puzzle that our life depended on - every nook and cranny carefully utilized. On Saturday at 6 AM we said a last goodbye to our little apartment of five years (with a unspoken EFF YOU to our manager's apartment downstairs as I closed the car door).

Sixteen hours later, just one hour from our destination, a very large deer meandered onto the I-90 as we approached 80 miles per hour. We collided. The car was totaled and that deer has gotta be VERY dead somewhere. It happened in slow motion and so fast all at the same time. It was one of those experiences that really jolts you (not physically, we were fortunately unharmed) because for probably the first time in our marriage, Jason was very shaken up and couldn't think straight and I was the calm one. I prompted him to try his best to get the car moved over to side of the road. Within a few minutes, even the emergency hazard lights were dead.

 It was a cruel, sad, ironic fate that the little blue car that my dad had bought me for college lasted juuuuuust long enough to finish out college. In 2009 my roommate and I had driven it on a cross-country road trip out to school and now in 2017, the DAY after my husband's graduation, it went to the grave heading back eastward.

The local sheriff of the population 700 town dropped us off at the one motel (conveniently next to the one gas station and one auto shop and one diner) and six hours later we were navigating South Dakota taxi services and car rentals. Those little midwestern towns aren't quite awake on Sundays, but one service took sympathy on us and the owner came with his wife and dog in the taxi to help us out. Soon enough we were transferring all our belongings from a little blue smashed car into a humble rented mini van.

Jason started work the very next morning.

We utilized our last few hours with the mini van rental to pick up all the boxes we had mailed to ourselves to a friend's address. Jason went through the sea of boxes across our living room floor while I took a long deprived shower. He tapped on the curtain and gently told me that all but one box had made it. It was the box containing my thirteen journals and diaries, started at age five, that was missing. He didn't hesitate to reach through the streaming water, fully dressed, to pick me up as I crumpled to the ground.

If I were to choose one moment in my life of complete sorrow, hopelessness, and pain - this would be it. All my memories, all my memories, were gone. It felt as if my past had died. I can't think of words to adequately describe that heartache. From losing friends in middle school, to feeling on top of the world at summer camps, prom, the annual family camping trip, the wide range of roommate experiences, meeting Jason, marrying Jason, my parents' divorce, every emotion on the spectrum was in there. Every Christmas, even 9/11 is in there, so many doodles of my childhood cat Nippy, every little thought or moment that I deemed journal-worthy for over twenty years was suddenly gone.

That heartache is still there every day, because a year has gone by and the journals never made it here. Despite my efforts with the USPS, we never received any information regarding the lost box. It's actually too painful to research it too deeply, because all sources point to the fact that the USPS throws a lot of stuff away and sells anything worthwhile in a giant "lost stuff" auction in Atlanta, Georgia (wtf?). If the box would have gone back to this original address in Utah by some miracle, our apartment manager that ended things so dishonestly is not someone we can rely on.

It stings constantly and honestly the only way I can bare it is to completely block it out of my mind as much as possible. When these painful memories come to mind, I know that I have about five seconds to switch my train of thought before I start slipping down a hole of absolute grief.

When I took these pictures a year ago today, I had no idea that following month would lead to all this. The goodbyes, the stress, a giant chapter ending, a car crash, a giant chapter starting, and losing such a beloved part of myself, all comes back when I look at these messy little pictures of ourselves from back then. Nothing can ever replace what I lost and I don't expect myself to ever "get over" it, but the experience has renewed and refined my passion for record keeping, family history, journaling, documenting, picture taking, story telling, remembering, recording, writing, listening, preserving.

In the past year since then, it's plain to see how clearly these passions have taken hold. First, I started journaling again... digitally.

In the fall, I orchestrated a massive family history project collecting memories of my Gramps from all his children and grandchildren. I organized everyone's memories into a book and we gave it to him for his 80th birthday.

I finally caught up on making family photo albums - we've got one book for every year from 2011 up to now! It is honestly my least favorite task in the world, but I care deeply about the final printed product because all the family snapshots we took since our first point and shoot in 2003 are totally gone. Those were the days before people really understood digital archiving or external hard drives! I think it's so important to have a digital record and a printed record of your favorite family pictures just in case.

I'm making a A-Z alphabet book with watercolor paintings for our baby (he'll be born almost exactly a year after that car accident day) and it's chalk full of references to our lives before he was born and our family history. 

My sister and I took a story about our Grandma Kaiser and turned it into a full out photoshoot! I've got lofty ideas to do more like this sometime in the future.

And of course, if you've been around this website of mine at all, you'll know that I've pushed preserving stories as the most important part of my mission. If you've watched either of my intro videos, "she loves what kind of pictures?" and "totally random things about me!!" you know that bits and pieces of what I've written in this post are in there as well. 

Preserving stories is ME now. It's the whole focus of my business as a photographer, my goal as an artist, and my "why" as a human being.

I wish I could end here with "I'm so grateful for this trial because it taught me this important thing" but that would be a lie. Looking at this picture of all my journals laid out before we boxed them up hurts. I hate that this happened more than anything else I've ever experienced, but I'm trying my best to build myself up from it by focusing on what I have still yet to create.

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ALEJANDRA+JASON | LDS hartford CT temple wedding on an early spring morning

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ALEJANDRA+JASON | LDS hartford CT temple wedding on an early spring morning

The LDS Hartford Connecticut Temple was only finished about a year ago, which means the opportunity to photograph a wedding there is an extra special treat! Thousands (and thousands and thousands) of wedding ceremonies take place in other, older, LDS Temples out west (I'm looking at you, Salt Lake City) but here in Hartford (or Philadelphia or Nauvoo or Boston or Minneapolis), that's not the case. And it's fantastic!

After the ceremony and pictures around the temple grounds, everyone head over to the New Britain Art Museum for a reception later that evening. So glad we snagged some more bride and groom pictures there before the festivities started!

Ceremony - LDS Hartford CT Temple
Reception - New Britain Museum of Art
Dress - Maggie Sottero from The Perfect Dress (SLC, UT)
Florist - All Occasions Florist

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DEIRDRE+JASON | when the wildflower mountaintop gives you decision paralysis

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DEIRDRE+JASON | when the wildflower mountaintop gives you decision paralysis

4 TIPS FOR COMBATING PHOTO LOCATION
DECISION PARALYSIS!

I have decision paralysis. Like an eight-year-old in a giant candy shop told to "okay, you can pick TWO today" I feel completely overwhelmed when a gorgeous photo location is plopped in front of me. I end up spinning around on my heels looking at every gorgeous nook and cranny of this place without an OUNCE of direction in my heart or brain to decide where to pose my client. THERE'S JUST TOO MANY OPTIONS!!!

So, imagine my internal thinking when given the chance to shoot (1) on a mountaintop (2) at sunset (3) where there are miles and miles of white aspen groves (4) with the prettiest Southern girl and her dapper husband (5) who are also photographers themselves so they are like WAY photogenic and need very little direction or posing so basically a dream scenario (6) and it's freaking WILDFLOWER SEASON!!? 

Luckily, this wasn't my first rodeo with photo shoot location decision paralysis caused by a situation SO good that my brain goes mushy. Over the years I've been in this boat and I'm finally figuring out how to conquer such a potentially fatal paralysis. Read on!

1. When possible, scope out a location on your own in advance! 

I think I have photo location FOMO. Like WHAT IF there was a freaking gorgeous overlook with a waterfall and a unicorn JUST around the corner but I didn't know because I didn't check?!? If the shoot is planned for somewhere I've never been, I'll take myself on a drive over there and blast some Tay music and/or drag my husband along so he can inevitably get super bored and beg to go home. If that's not practical, ideally I'll arrive the day of with a hefty chunk of time before my client so that I can explore. Honestly guys, I've arrived at locations OVER AN HOUR early! And I've never regretted it.

2. Can't scope it out in advance? Head out with your clients and walk walk WALK through your location before picking up the camera. 

This shoot with Deirdre and Jason was kinda like that - they had been before and knew the best spots (praise them!) because they are also photographers but I made sure that we walked to the furthest point first so I could see it all and take it in. About 15 minutes down the path, I had seen plenty of great options so we stopped walking and started shooting. From there we worked our way backwards so that we finished the shoot right back at the car. I literally have reoccurring nightmares about the sun setting before I'm done (or even started??) taking pictures, sooooo anything to comfort me concerning time, distance, and location options is a must.

PS - That tip a win win! If you've never met your clients face-to-face before, walking around before picking up the camera is a great time to get to know each other and relax before pictures start!! I purposefully plan that EVERY session starts with at least a few minutes of walking before we're at our first spot.

3. Have a "thing" for each spot.

Early on as a photographer, I'd take my clients to each spot at a given location and.... it would go like this.
*By a blooming hydrangea bush* "Look at me and smile.. okay, now look at each other."
*Under the weeping willow tree* "Look at me and smile.. okay, now look at each other."
*Along a cobblestone path* "Look at me and smile.. okay, now look at each other."

Yeah. As I'd look through all the photos later that night, it was SO BORING. I still wanna get those "look at me and smile" shots from time to time, but now I mentally think of one main OTHER DIFFERENT THING to do at each new little spot. Drastically change the focal length (switch your lens), do a completely different pose, add some fun game or movement to the moment, different angle, step way far back for a super wide shot, whatever! Your final gallery of photos will be so so so much better off.

4. Lastly, less is more. 

One mistake I've made in the past is trying to cram too many pretty spots into a one hour session. We ended up walking (or even worse, DRIVING between spots) more than we spent taking pictures!!!!! Prioritize your favorite scenery (maybe one or two specific spots in a given area) and keep a mental back up for another fave if time allows. 

You gotta slow. it. down. Breathe. Stop worrying about the scenery so much and get creative in the other ways that matter even more - really talk with your clients as you shoot, take the time to really get THE SHOT you're envisioning, push yourself to try new things and get creative in other ways! Don't just rely on a change of scenery to keep the pictures interesting.

This is something I really took to heart after our own five-year-anniversary pictures with Sami Jo Photography. Our entire hour long shoot was only in a circumference of like... 200 feet maybe. Lo and behold, in those 200 feet from our shoot with Sami, I LOVE every single picture! I would NEVER look at them and say, "Ugh! Too much of the same background!" because guess what... I care a lot more about the faces in the foreground (code = our faces).

I could tell you countless more of my "trial and error" experiences over the years, but let's just stick with those four things for now, because I think you may just be here to gush over these wildflower pictures. ;)

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